A small but recognizable people with Arab origins have over time settled in the India.Many who arrived in Gujarat were later recruited to the army. Most Gujarati Arabs were traders, and business men who sold or traded silk, diamonds and other valuables resulting in wealthy business men. The city of Surat and villages within the city are notorious for Arab settlements. Variav and Randev are the few villages that Arabs started their lives in. In Eastern Uttar Pradesh, Iraqis arrived in 15th and 16th century from Sindh, Pakistan. These people claim ancestry from Arab tribe of Bani Tamim.In Hyderabad, Chaush are Arab community of Hadhrami descent whose ancestors were recruited as soldier by Nizam of Hyderabad. In Kerala, Syed Thangals of Hadhrami descent settled around 17th century as missionaries to propagate Islam. There are also Shia Sayyids in Northern region of country who claim descent from Wasit, Iraq like Zaidis. Sunni Sayyid of the country also claim Arab descent from Sufi missionaries but it is hard to say that every Sufi really belonged to Arab. Most of the Sufis migrated from Persia. Sunni Sayyid also include converts from higher Hindu castes like Brahmin and Kshatriya. Sunni Sheikhs also claim Arab descent from Sufis or migrants but it remains hoax. They don't know their tribe but trace lineage from Umar, Abu Bakr and Uthman, the Rashidun Caliphate. Many of present Sheikhs converted from Hindu castes such as Kayasth and Rajput.
Arab began her racing career on May 1, 1827 at Newmarket's Second Spring meeting. She ran in a Sweepstakes over the Ditch Mile course restricted to the produce of mares which had not produced a winner before 25 May 1825. The only filly in a field of four runners, Arab was not strongly supported in the betting but finished second to a colt named Pontiff, beaten two lengths. Two days later,over the same course and distance, Arab started the 8/1 (or 10/1) third favourite for the 1000 Guineas Stakes which despite its name carried a prize of 1,400 guineas.Lord Exeter's filly Marinella was made favourite ahead of Monody who was owned, like Arab, by the Duke of Grafton. The race produced a close finish between the two Grafton runners, with Arab prevailing by a head over her better fancied stable companion. Arab's win was the eighth in the race for the Duke of Grafton, a ninth for Robert Robson and a sixth for her jockey Frank Buckle.
The Arabic script is written from right to left in a cursive style. In most cases the letters transcribe consonants, or consonants and a few vowels, so most Arabic alphabets are abjads.
The script was first used to write texts in Arabic, most notably the Qurʼān, the holy book of Islam. With the spread of Islam, it came to be used to write languages of many language families, leading to the addition of new letters and other symbols, with some versions, such as Kurdish, Uyghur, and old Bosnian being abugidas or true alphabets. It is also the basis for the tradition of Arabic calligraphy.
The Arabic script has the ISO 15924 codes Arab and 160.
The song's lyrics question the singer's purpose in life.
The song's first recording session was on 3 October 1967 along with "With the Sun in My Eyes" and "Words". The song's last recording session was on 28 October 1967. "World" was originally planned as having no orchestra, so all four tracks were filled with the band, including some mellotron or organ played by Robin. When it was decided to add an orchestra, the four tracks containing the band were mixed to one track and the orchestra was added to the other track. The stereo mix suffered since the second tape had to play as mono until the end when the orchestra comes in on one side. Barry adds: "'World' is one of those things we came up with in the studio, Everyone just having fun and saying, 'Let's just do something!' you know". Vince Melouney recalls: "I had this idea to play the melody right up in the top register of the guitar behind the chorus".
"World (The Price of Love)" is a 1993 single by New Order, taken from the album Republic. Simply listed as "World" on the album, the subtitle "The Price of Love" was added for the single release, as it is repeated during the chorus. A 7:34 dance remix of the track by Paul Oakenfold, called the "Perfecto mix", was included on many releases of the single and was used for an alternate edit of the video.
The same music video was used for both the original version and an edit of the Perfecto remix of the song. Shot in Cannes with only 5 long steadicam shots, the video features the camera slowly journeying from a pier into an expensive hotel, lingering on the faces of passers-by. It features the band only fleetingly - Peter Hook sits at a table on the seafront, Bernard Sumner stands overlooking the sea, and Stephen Morris and Gillian Gilbert pose for a photograph outside the Carlton Hotel. This would be the last time the band would appear in a video until 2005's "Jetstream".
Jim Stacy would become the owner of Krauskopf's old NASCAR team after this event; with the famed red #71 Dodge getting repainted into the white #5. Neil Bonnett, however, would stay on the team as a driver. By 1980, NASCAR had completely stopped tracking the year model of all the vehicles and most teams did not take stock cars to the track under their own power anymore.
Forty American-born drivers competed here including Benny Parsons, Lennie Pond, Buddy Baker, Darrell Waltrip, and Neil Bonnett. After four hours and twenty-one minutes of racing action, Richard Petty defeated polesitter David Pearson by 30.8 seconds in front of an audience of 115000 people. There were 25 lead changes done in this race in addition to six cautions for 31 laps. While the qualifying top speed was 161.435 miles per hour (259.804km/h), the average speed of the race was actually 136.676 miles per hour (219.959km/h). Last-place finisher Ramo Stott would acquire engine trouble on lap 3 of the 400-lap race. The duration of the race was from 12:30 P.M. to 4:41 P.M.; allowing fans to drive to nearby restaurants for supper.
trans was an annual, non-arts festival held in Belfast, Northern Ireland, linked with the Urban Arts Academy and organised by the Belfast Waterfront Hall. Over a four-week period it hosted a programme of gigs, free seminars, courses, exhibitions and broadcasts its own radio station.
trans stated a list of ideologies and beliefs:
Investing new technologies, new trends, new art forms and new artists.
Providing training in career paths which the current system does not.
Encourage debate outside traditional politics
Demonstrate that Urban Arts should not be confined you Youth Culture
To bring the world to Belfast, and Belfast to the world
Throughout its five-year history, the festival was popular not only with the Urban Arts Academy students, but with music and arts lovers from all walks of life, and regularly attracts international artists and audience members.